Quentin Tarantino

no time to dwell

A little something I pitched recently. It did not get the "go-ahead" so I am moving on to the next project. Would have been great though, there is so much potential in this idea!

gigiddy gigiddy

I got a little caricature gig to work on.

faux screenshot

I collaborated with my brother on this pic. It's a part of a pitch I am working on.

curls

Susan Boyle

vixen

lookin' around

Step 4: color and add a bg

Step 3: clean vector line, smooth it out, close the gaps for coloring

Step 2: color palette experiments

Step 1: quick rough sketch, directly on the wacom tablet.

digital sketch

I've said it a million times, I need a Cintiq. Sketching with a Wacom tablet is not easy. I have to have my free hand on the "x" undo key constantly, and every line I make takes at least 3 tries to get it half way decent. Luckily this is only a sketch, I couldn't do a refined picture without a Cintiq, not with the brush tool anyway. I have been doing my refined work mostly with the line tool and using the handlebars to make the line perfect, but it take much longer that way.

Living Dead

I was thinking I would add shade on the zombie hands, give a two-tone look....but nah! I'll leave it like this and move on to something else.

Zombie hand BG

The final BG.
Laying on flat colors. Most of coloring is done in photoshop, so at this point I am not worried about tones and values.



I started very rough, moving around the tombstones to get them in a good composition that works with the animation; at this point the tombstones are just blocks. Once everything was in place, then I put the rough details on the tombstones and crosses.

Clean animation, without color.

My favorite holiday

I love Halloween! For a horror movie junkie it's like Christmas, only all evil and scary. So I'll be playing with horror themed animation and art for the next month. This is a work in progress.

yawning kitty

Just a little staggered animation cycle.

a duck

sketching a moving cat...updated

My cat, Diesel, was sleeping on my scanner next to my computer. I was compelled by his cuteness to sketch him. During the drawing he moved his outstretched arm and tucked it in, achieving uber-cuteness, as seen in the top sketch. One of the advantages of drawing from a live model, human or feline, as opposed to a photo, is that a live model will shift and move a bit, it's a much better way to learn movement, anatomy, and motion.

updated with the very top pose